Staff Favorites

Emmanuel Mouret
Megan's picture
Reviewed by Megan
Shall We Kiss?

Like romantic comedies, but find most recent offerings neither romantic nor comedic? Then say chin-chin to this bonbon!

I don’t want to give too much away, but the movie explores love as it pertains to the tyrannical triumvirate that is timing, chemistry, and morality. Lest this sound a bit severe, the film's offbeat humor and gaggle of elegant Gauls make it go down nice and easy.

So don’t give up yet; the delectable Shall We Kiss? might be just the movie you were looking for.

China Miéville
Eric's picture
Reviewed by Eric
The City & The City By China Miéville

Miéville is one of the most highly-acclaimed fantasy writers working today, and, in fact, this novel was nominated for several prestigious fantasy/science fiction awards. And yet this is, ostensibly, a police procedural, and Miéville has stated that he was consciously working within the hard-boiled tradition typified by writers like Raymond Chandler. So has he totally abandoned fantasy or what?

Well, not entirely. Miéville has written a real crime novel, but he’s also mixed in some pretty weird stuff. The two titular cities are located in some vaguely-defined space on Europe’s Southeastern edge – somewhere near the Black Sea or the Balkans, perhaps. They are fictional cities, but, in most ways, they are not fantastic ones – they are, in fact, firmly grounded in the realities of crime and dirt and cell phones. However, these cities are neighbors – but not neighbors in any way that could ever really exist. The two cities, Beszel and Ul Qomo, are conjoined twins, occupying much of the same physical space. This block could be in Beszel, but the next block down might be in Ul Qomo. Some blocks might even be in both – which one you’re standing in depends on your perceptions, your ways of thinking. The separation between the cities is enforced by a mysterious, brutal organization known as Breach.

And, of course, the murder investigation at the center of this book spans both cities.

The concept behind this book would probably have been enough to keep me satisfied, but the writing’s also great, and Miéville throws in enough twists and turns to keep things interesting. Not quite a masterpiece, but almost.

Jeffrey N. Wasserstrom
Megan's picture
Reviewed by Megan
China in the 21st Century: What Everyone Needs to Know

Wasserstrom has a difficult task, but he mostly succeeds in providing a solid overview of looming, booming China. The first two-thirds are admirably focused and succinct, guiding the reader from Confucius to the Cultural Revolution. He meanders during the latter part of the book, condensing complicated events into overly long sentences, then adding clumsy parentheses to boot. I suppose such problems are only inevitable when using fewer than 200 pages to cover an incredibly vast subject.

This book won’t help you differentiate the periods of the Jin Dynasty, but it will probably provide you with some needed answers on a rather daunting topic.

Tom Rachman
Megan's picture
Reviewed by Megan
The Imperfectionists

Tom Rachman’s debut peels away the glamour of a Roman locale and the glory of international journalism to reveal the static nuts and bolts of dysfunction.

A somewhat standard cast of characters (over-the-hill lush, icy/secretly vulnerable editrix, whip-smart singleton, bumbling naif, darling mensch, abrasive middle-aged dude with a suspiciously lovely younger girlfriend, etc.) comprise the staff of an unnamed English-language newspaper. Each chapter focuses on a different character that highlights their foibles, gripes, and merits. This structure proved appealing, especially since it managed to approximate action in that someone and their neuroses are always being introduced, then unceremoniously brushed aside to make room for the next. The prose is dialogue-heavy, which is all the better to show off Rachman’s deft, effervescent ear. Ultimately though, his facile observational style became mundane, and left this reader hoping for a character, plot, or idea to latch onto.

Although the book made a halfhearted attempt to describe the modest rise and sudden fall of a newspaper in the Internet Age, it has the emotional impact of a third-hand anecdote that allows one to be narrowly analytical and presumptuously accurate. Of course this dinky newspaper founded on the providential economic graces of the ‘50s will be unable to compete with technologically gluttonous conglomerates that provide instantaneous updates and the enterprising snark that is the domain of everybody with computer access! (Sheesh.)

To his credit, Rachman generally avoids sentimentalizing, so he must understand that his gift lies in buoyancy and earned sweetness. That makes me hopeful that his next outing will be like this one, but with a bit more ambition.