In this novel, Jose Saramago brings death to life—literally. He turns death (small d) into a female character who is tired of constantly being insulted and hated. She decides that she is going to conduct an experiment in which no one dies. At first, the people celebrate the absence of death–no more lost loved ones and no more fear of dying themselves–but then they begin to experience the consequences of eternal life. Life insurance policies become meaningless, funeral home owners are no longer making money, and religious leaders no longer have many teachings to offer. Seeing the havoc that is being reaped, death then concocts a new plan–people will begin dying again, but they will receive a letter prior to their deaths. The scarlet envelopes start appearing on desks, in mailboxes, anywhere that the individual might happen to be 24 hours before they are supposed to die. Death, again, becomes unavoidable. All this changes, however, when death attempts to send a letter to a cellist. The letter keeps coming back to her. Finally death resolves to deliver the letter in person, but instead finds herself falling in love. Jose Saramago really captures the audience’s attention, not only with his examination of capitalism through the personification of death, but also with his love story. A must-read. And it’s available at Acorn and through SWAN.